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1.
€ 109,00
EAN-13: 9789042033269
Onega Susana
Ethics and Trauma in Contemporary British Fiction
Edizione:Brill, 2011
Collana:DQR Studies in Literature

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Indicativamente procurabile in 15-20 giorni lavorativi
Info disponibilitàRifornimento in corso
Prezzo di acquisto€ 109,00
DescrizioneThis volume is the first book of criticism to provide a systematic analysis of a corpus of emblematic contemporary British fictions from the combined perspective of trauma theory and ethics. Although the fictional work of writers such as Graham Swift has already been approached from this perspective, none of the individual works or authors under analysis in the twelve essays collected in this volume has been given such a systematic and in-depth scrutiny to date. This study, which is addressed to academics and university students of British literature and culture, focuses on the literary representation of trauma in key works by Martin Amis, J. G. Ballard, Pat Barker, John Boyne, Angela Carter, Eva Figes, Alan Hollinghurst, Delia Jarrett-Macauley, A.L. Kennedy, Ian McEwan, Michael Moorcock, Fay Weldon and Jeanette Winterson, within the context of the “ethical turn” in the related fields of literary theory and moral philosophy that has influenced literary criticism over the last three decades, with a special focus on the ethics of alterity, the ethics of truths, and deconstructive ethics.

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2.
€ 80,00
EAN-13: 9789042010505
Onega Susana
Refracting the Canon in Contemporary British Literature and Film
Edizione:Brill, 2004
Collana:Postmodern Studies

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Indicativamente procurabile in 15-20 giorni lavorativi
Info disponibilitàRifornimento in corso
Prezzo di acquisto€ 80,00
DescrizioneContemporary works of art that remodel the canon not only create complex, hybrid and plural products but also alter our perceptions and understanding of their source texts. This is the dual process, referred to in this volume as “refraction”, that the essays collected here set out to discuss and analyse by focusing on the dialectic rapport between postmodernism and the canon. What is sought in many of the essays is a redefinition of postmodernist art and a re-examination of the canon in the light of contemporary epistemology. Given this dual process, this volume will be of value both to everyone interested in contemporary art—particularly fiction, drama and film—and also to readers whose aim it is to promote a better appreciation of canonical British literature.

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